With Urban Secrets, I just really liked the idea of wandering around chatting to people.
ALAN CUMMINGPerforming a one-man Macbeth feels like the greatest challenge.
More Alan Cumming Quotes
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I love a film where I get squished by two dumpsters or I fly through the air.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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I like the tragedies way more than the comedies because they’re so universal.
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I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
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You should *have* an experience; it shouldn’t just *be* an experience.
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With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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Performing a one-man Macbeth feels like the greatest challenge.
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Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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Macbeth was the first play I ever read.
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