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The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth.

Alain Robbe-Grillet

Related Topics

Character Labyrinth Main Outside Reader View Well Work

Bagwalas

Popular Authors

Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The true writer has nothing to say. What counts is the way he says it.
ALAIN ROBBE-GRILLET

Count Nothing Say True Way Write
The art of the novel, however, has fallen into such a state of stagnation – a lassitude acknowledged and discussed by the whole of critical opinion – that it is hard to imagine such an art can survive for long without some radical change.
ALAIN ROBBE-GRILLET

Acknowledge Art Critical Discuss Fallen Hard Imagine Novel Opinion Stagnation State Such Survive Whole
To tell the truth, girls are no longer the way they used to be.
ALAIN ROBBE-GRILLET

Girl Longer No Tell Truth Used Way
Memory belongs to the imagination.
ALAIN ROBBE-GRILLET

Belong Imagination Memory
On n’e chappe pas a’ son sort. One cannot escape destiny.
ALAIN ROBBE-GRILLET

Destiny Escape Pas Shape Son
What do young girls dream of? Of the knife and of blood.
ALAIN ROBBE-GRILLET

Blood Dream Girl Knife Young
It is part of the imaginative process, on the same terms as invention.
ALAIN ROBBE-GRILLET

Imaginative Invention Process Same Term Thing
the world is neither meaningful, nor absurd. it quite simply is, and that, in any case, is what is so remarkable about it.
ALAIN ROBBE-GRILLET

Absurd Case Meaningful Neither Quite Remarkable Simply World
Premie’ re approximation: j’e cris pour de truire, en les de crivant avec pre cision, des monstres nocturnes qui menacent d’envahir ma vie e veille e. First general point: I write to destroy, by describing exactly the nocturnal monsters that threaten to invade my waking life.
ALAIN ROBBE-GRILLET

Describe Destroy Exactly First Generation Invasive Life Minster Point Threaten Walk
There is a famous Russian cartoon in which a hippopotamus, in the bush, points out a zebra to another hippopotamus: ‘You see,’ he says, ‘now that’s formalism.
ALAIN ROBBE-GRILLET

Another Country Famous Formalism Hippopotamus Point Zebra
Le lecteur, lui non plus, ne voit pas les choses du dehors. Il est dans le labyrinthe aussi.
ALAIN ROBBE-GRILLET

Character Main Outside Reader Work
Deux me’ tresou un peu plusse parent donc l’homme de la femme. Two metres, or a little more, separates a man from a woman.
ALAIN ROBBE-GRILLET

Little Man Meter More Separate Two Women
The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth.
ALAIN ROBBE-GRILLET

Character Labyrinth Main Outside Reader View Well Work
They play gangsters, nowadays, just like boys. They organize rackets. They plan holdups and practice karate. They will rape defenseless adolescents. They wear pants…
ALAIN ROBBE-GRILLET

Defenseless Gangster Holdup Karate Organize Pant Play Practice Racket
Memory belongs to the imagination. Human memory is not like a computer which records things.
ALAIN ROBBE-GRILLET

Belong Computer Human Imagination Memory Record Thing
To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.
ALAIN ROBBE-GRILLET

Enough Many Seem Simple Solution

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