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When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them.

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Disappoint Film Friend Gangster Little Made Remember Twelve

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I don’t think that there is any such thing as an old film; you don’t say, ‘I read an old book by Flaubert,’ or ‘I saw an old play by Moliere.’
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A viewer as opposed to a filmmaker might see a film differently. But I’m extremely comfortable with my style.
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They weren’t frightening at all. I’m sure they’d be very funny now.
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When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them.
ALAIN RESNAIS

Disappoint Film Friend Gangster Little Made Remember Twelve
For some reason the more time that elapses after the film opens, the more favorable the reviews become.
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It was repugnant, but it was the only way to communicate.
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I saw part of The Singing Detective on TV in New York. I said, Something is going on here.
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I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.
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. On television the first reactions are usually unfavorable.
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There cannot be any communication except through form. If there is no form, you cannot create emotion in the spectator.
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We should all die with a sharp, brusque heart attack. My father was lucky like that.
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Attack Brusque Die Father Heart Lucky Sharp
I can’t see any reason why a film shouldn’t be stylized and visually beautiful. I don’t think a beautiful set is pretentious.
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So I used formal techniques to make the film more perceptive emotionally.
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When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films.
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Film Impact Passage Silent Since Talkie Twelve Watch
I am never driven. Every film Ive made has been an assignment.
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My films seem to be better understood and better received by the monthly publications
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