“A viewer as opposed to a filmmaker might see a film differently. But I’m extremely comfortable with my style.”

I can’t see any reason why a film shouldn’t be stylized and visually beautiful. I don’t think a beautiful set is pretentious.

For some reason the more time that elapses after the film opens, the more favorable the reviews become.

We should all die with a sharp, brusque heart attack. My father was lucky like that.

There cannot be any communication except through form. If there is no form, you cannot create emotion in the spectator.

When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them.

It was repugnant, but it was the only way to communicate.

When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films.

I saw part of The Singing Detective on TV in New York. I said, Something is going on here.

So I used formal techniques to make the film more perceptive emotionally.

My films seem to be better understood and better received by the monthly publications

For me an unfavorable initial reaction happens fairly often.

. On television the first reactions are usually unfavorable.

I don’t think that there is any such thing as an old film; you don’t say, ‘I read an old book by Flaubert,’ or ‘I saw an old play by Moliere.’

They weren’t frightening at all. I’m sure they’d be very funny now.

I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.

I am never driven. Every film Ive made has been an assignment.

Those wise men knew God to be in things, and Divinity to be latent in Nature, working and glowing differently in different subjects and succeeding through diverse physical forms, in certain arrangements, in making them participants in her, I say, in her being, in her life and intellect.

I should hope I dress differently at 25 than I did when I graduated high school. I hope I never stop changing.

You have black people, white people, Chinese people, Hispanic people; we’re all brought up differently.’

Things happen differently when you’re actually here, so you can’t put out a general guideline that’s gonna show up in text and be interpreted. There are no rules. Just be yourself.

In computers, every ‘new explosion’ was set off by a software product that allowed users to program differently.

People do it differently in different cultures because they have different interpretations, that’s how it should be.

What I don’t do – and this is the only thing I do differently in writing for kids – is that I don’t revel in the gory details.

So then why get upset if somebody like me Tries to look at the world just a bit differently?