The declaration of love marks the transition from chance to destiny and that’s why it is so perilous and so burdened with a kind of horrifying stage fright.
ALAIN BADIOULet us say in passing that since (philosophical) remedies are often worse than the malady, our age.
More Alain Badiou Quotes
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All resistance is a rupture with what is. And every rupture begins, for those engaged in it, through a rupture with oneself.
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The ethic of truth is the complete opposite of an ‘ethics of communication’. It is an ethic of the Real The ethic of truth is absolutely opposed to opinion, and to ethics in general.
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In order to improve democracy, then, it’s necessary to change the people, as Brecht ironically proposed.
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For a politics of emancipation, the enemy that is to be feared most is not repression at the hands of the established order. It is the interiority of nihilism, and the unbounded cruelty that can come with its emptiness.
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Love and politics are the two great figures of social engagement.
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Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history.
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In fact, so as not to succumb to an obscurantist theory of creation ex nihilo, we must accept that an event is nothing but a part of a given situation, nothing but a fragment of being.
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It must be said that today, at the end of its semantic evolution, the word ‘terrorist’ is an intrinsically propagandistic term. It has no neutral readability. It dispenses with all reasoned examination of political situations, of their causes and consequences.
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What I mean is that what composes an event is always extracted from a situation, always related back to a singular multiplicity, to its state, to the language that is connected to it, etc.
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I am surprised to see that today everything that does not amount to surrender pure and simple to generalized capitalism.
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If you limit yourself to sexual pleasure it’s narcissistic. You don’t connect with the other, you take what pleasure you want from them.
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let us call it thus, is considered to be archaic or old-fashioned, as though in a way there existed no other definition of what it means to be modern than.
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The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
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All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracy-the form of state suited to capitalism-and to the inevitable and ‘natural’ character of the most monstrous inequalities.
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The cinema is a place of intrinsic indiscernibility between art and non-art.
ALAIN BADIOU