It’s never really that much fun for me to do movies anyway, because you – you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.
AL PACINOWhen you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.
More Al Pacino Quotes
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.
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The physical stamina [in Revolution]. I was just shocked by it. I didn’t think I had it in me ever, and I wasn’t terribly young when I did it. I was in my early forties.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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That’s where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that’s what I like. I’ve always felt that’s what I would like to do.
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You never open your mouth until you know what the shot is.
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Without coffee something’s missing
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Any project that I find encouraging that isn’t attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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You’re going to get a sense of what the hell’s going on there. Boy, you’ll wake up fast when bullets are flying over your head.
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It would be hard to play a character you don’t like – for me anyway – or can’t find something in them to like.
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I do not believe what I see on television. I believe a percentage of it, so it’s hard for me to discern. I don’t like what it’s doing to the world.
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An actor basically likes to be asked to do something, no matter what position he’s in. It feels more natural. Sitting and waiting is more gratifying.
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I probably write a poem every 50 years.
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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I went back to the stage because it was my way of dealing with the success I had, my way of coping.
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I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.
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