The thing that can get you a little upset is when people say other people are better than you. That can bug you.
AL PACINOA good warm bath can be one for you, or a whatever.
More Al Pacino Quotes
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I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.
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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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You’re going to get a sense of what the hell’s going on there. Boy, you’ll wake up fast when bullets are flying over your head.
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My movies are always being played on television, I’m very well known and all that stuff.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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My weaknesses… I wish I could come up with something.
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It would be hard to play a character you don’t like – for me anyway – or can’t find something in them to like.
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My children can make me feel rejected. They can humble you pretty quick.
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Our life is looking forward or looking back, that’s it. Where is the moment?
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“To be or not to be is” [by William Shakespeare] beyond anything I can comprehend.
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I go all over the world, I have access to many things, many people, many places and it’s wonderful. But now I’m at a point where.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I’m talking about.
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My grandfather was a provider. Work, any kind of work, was the joy of his life.
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There is no happiness. There is only concentration.
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The actor becomes an emotional athlete.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I’m going to do a big scene that’s dramatic and takes a lot out of you, the better off I am when I come to it.
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And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.
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It had a tremendous influence on my becoming an actor.
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I was playing a part of someone dealing dope on a street corner – and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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I just wondered how it would feel, how people would treat her, but she’s adjusted so marvelously.
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It was her way of getting out, and she would take me with her. I’d go home and act all the parts.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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The thing is doing it, that’s what it’s all about. Not in the results of it. After all what is a risk? It’s a risk not to take risks. Otherwise, you can go stale and repeat yourself.
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So I’ve been doing everything that has to do with being next to them, close to them.
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