A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
AL PACINOI did say to her that I thought that she had a real gift, and it’s a good idea to know that. It’s always good to go with your gift.
More Al Pacino Quotes
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When I was doing ‘Scarface,’ I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time.
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Sometimes the only way you can get an audience is at an audition.
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I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.
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I didn’t want the book [of memoirs] out, naturally – Larry [Grobel] knew that for 20 years, 15 at least,
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I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
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Forget the career, do the work. If you feel what you are doing is on line and you’re going someplace and you have a vision and you stay with it, eventually things will happen.
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I don’t think actors should ever expect to get a role, because the disappointment is too great.
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Show me a bad script and I will show you a big payday.
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Pretty soon I’ll start worrying about [my fame] because [my children] carry my name and they have that exposure.
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If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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You’ve got to think of things as an opportunity. An audition’s an opportunity to have an audience.
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The actor becomes an emotional athlete.
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