Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.
AL PACINOThere is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.
More Al Pacino Quotes
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My children can make me feel rejected. They can humble you pretty quick.
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And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times.
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Be careful how you judge people, most of all friends. You don’t sum up a man’s life in one moment.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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Learning (Shakespeare’s plays) …in school was a bit of a bore.
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Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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I went back to the stage because it was my way of dealing with the success I had, my way of coping.
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I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.
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I didn’t go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
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There was a time in my life when being dishonest with women was the natural way to be. I finally said, “Hey, I have to stop this silliness.”
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Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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I’m an actor, and everything about me – the way I perceive things, the way I have seen the world – has been in relation to characters and how I would want to play something or not play it.
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