My early career was a real rush of movies and stardom – it was almost overwhelming.
AL PACINOIf you have the opportunity to meet someone as an actor, it’s just great fodder for you. It’s wonderful source stuff that we die for.
More Al Pacino Quotes
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I’ve often said there’s two kinds of actors. There’s a more gregarious type and the shy type.
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When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story.
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Anybody who cares about what he does takes risks.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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My first language was shy. It’s only by having been thrust into the limelight that I have learned to cope with my shyness.
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I love work because it keeps sex in perspective. Otherwise, it can become a preoccupation.
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I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.
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When my mother got home from work, she would take me to the movies.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.
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Read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
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It’s so funny when people who are not used to making movies get into it. You just can’t believe how insufferably boring it is.
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I was playing a part of someone dealing dope on a street corner – and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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The stage is different ; there’s more to act. There are more demands put on you, more experiences to go through.
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The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.
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