If you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPERBob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
More Al Kooper Quotes
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Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER -
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER -
I liked being challenged by music. It’s good for me.
AL KOOPER -
Producing Bob Dylan was pretty much a spectator sport.
AL KOOPER -
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER -
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER -
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER -
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER -
The very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPER -
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER -
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER -
I don’t care, turn the organ up, and that’s really how I became an organ player.
AL KOOPER -
I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER -
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER -
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER






