The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPERBob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
More Al Kooper Quotes
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Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER -
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER -
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER -
Finally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPER -
If you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPER -
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER -
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER -
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER -
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER -
I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER -
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER -
So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPER -
Still being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
AL KOOPER -
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER -
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER