Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER- And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER
- black
- grey
- blue
- red
- brown
- white
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
More Al Kooper Quotes
-
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER -
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPERMike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER -
I liked being challenged by music. It’s good for me.
AL KOOPERI liked being challenged by music. It’s good for me.
AL KOOPER -
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPERBob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER -
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPEREvery day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER -
Every now and then we could steal somebody else’s stuff.
AL KOOPEREvery now and then we could steal somebody else’s stuff.
AL KOOPER -
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPERAnd he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER -
You couldn’t help being influenced by Dylan.
AL KOOPERYou couldn’t help being influenced by Dylan.
AL KOOPER -
Finally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPERFinally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPER -
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER -
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER -
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPERAnd a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER -
Producing Bob Dylan was pretty much a spectator sport.
AL KOOPERProducing Bob Dylan was pretty much a spectator sport.
AL KOOPER -
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPERThe first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER -
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPEROnly through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER -
The very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPERThe very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPER


