At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.
AL KOOPERUnlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
More Al Kooper Quotes
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If you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPER -
Finally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPER -
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER -
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER -
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER -
You couldn’t help being influenced by Dylan.
AL KOOPER -
Still being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
AL KOOPER -
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER -
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER -
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER -
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER -
Every now and then we could steal somebody else’s stuff.
AL KOOPER -
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER -
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER -
In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER