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Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.

Al Kooper

And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER

Actual Came Door Little Lock Out Outside Slate Wall Write
Every now and then we could steal somebody else’s stuff.
AL KOOPER

Now Somebody Steal Stuff Then
Producing Bob Dylan was pretty much a spectator sport.
AL KOOPER

Bob Dylan Much Pretty Produce Sport
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER

Cock Cubic Every Fake Joke Morning Paino Place Upright Wall White Work
At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.
AL KOOPER

Actual During End Like Playback Rolling Stone Take Thing
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER

Guy Man Organ Player Producer Say Turn
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER

After Country Politics Record Roll Stone Think
In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER

Activity Alley Building Country Hib Music Pan Tin
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER

Educate Jazz Produce Record University
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER

Before Celebrity Down Hear never Person Play Start Went White
I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER

Crook Definitely Doubt Fitness Generation Little Money More Out People Take Wave
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER

Afternoon Age Career Finish Guitar Just My One
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER

Equivalent Excellent Gospel Influence Jewish Marriage Mostly Music Over Play Twist
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER

Around Believe Center Country Everything Just Live
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER

Broadway Business Everything First Happen Introduce Music Reality Start
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER

Day Every Gig Old Pretend Six Song Ten Thirteen Write Year

Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.

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Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.

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Popular Authors

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