So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPERSo I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPERThe place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPERUnlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPEREvery day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPERIf you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPERProducing Bob Dylan was pretty much a spectator sport.
AL KOOPERAnd he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPERI believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPERI liked being challenged by music. It’s good for me.
AL KOOPERAnd a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPERTom Wilson had produced jazz records and was a Harvard educated.
AL KOOPERFinally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPERI think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPEROnly through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPERI don’t care, turn the organ up, and that’s really how I became an organ player.
AL KOOPERThe [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER