Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPERI don’t care, turn the organ up, and that’s really how I became an organ player.
More Al Kooper Quotes
-
-
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER -
Every now and then we could steal somebody else’s stuff.
AL KOOPER -
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER -
Producing Bob Dylan was pretty much a spectator sport.
AL KOOPER -
I don’t care, turn the organ up, and that’s really how I became an organ player.
AL KOOPER -
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER -
I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER -
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER -
In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER -
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER -
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER -
You couldn’t help being influenced by Dylan.
AL KOOPER -
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER -
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER -
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER