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Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.

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Believe Best Character Explanatory Fall Notice Particular Passage Script Something

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA

Bland Expression Innocent Madmen People Private Public Terrible Thing Totally Wear
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
AKIRA KUROSAWA

Cinema Combine Everything Filmmaking Life Made Reason Theatre Together Work
Human beings share the same common problems. A film can only be understood if it depicts these properly.
AKIRA KUROSAWA

Being Common Depict Film Directing Human Problem Properly Understood
It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
AKIRA KUROSAWA

Action Character Dialogue Difficult Explain Moment Particular Possible Psychological State
The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
AKIRA KUROSAWA

Assertion Country Course Immoral Life Sacrifice Self Sensible Take
Of all my films, people wrote to me most about this one.
AKIRA KUROSAWA

All Book Film Most One Think Write Wrote
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
The truth is in the mystery.
AKIRA KUROSAWA

Humility Mystery Truth

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