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Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.

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Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

To be an artist means to search, to find and look at these realities. To be an artist means never to look away.
AKIRA KUROSAWA

Artist Away Find Look Mean never Reality Search
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
The characters in my films try to live honestly and make the most of the lives they’ve been given.
AKIRA KUROSAWA

Been Believe Character Film Great Hero Honesty Live Real
I can’t afford to hate anyone. I don’t have that kind of time.
AKIRA KUROSAWA

Afford Anyone Hate Kind Time
The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
AKIRA KUROSAWA

Assertion Country Course Immoral Life Sacrifice Self Sensible Take
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
The role of the artist is to not look away.
AKIRA KUROSAWA

Artist Away Look Role
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
If you want to be a great director, be a great screenwriter.
AKIRA KUROSAWA

Director Greater Screenwriter Want

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