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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
One of techniques of modern art is simplification, and that I must therefore simplify this film.
AKIRA KUROSAWA

Film Modern One Simplification Simply Technique Therefore
It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
AKIRA KUROSAWA

Bear Blossom Direct Fruit Grow Make Nurture Script Tree Write
I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA

Attain Believe Filmmaker First Hope Inspire Make People Place Quality Quantity
There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Creator Itself More Nothing Work
If you want to be a great director, be a great screenwriter.
AKIRA KUROSAWA

Director Greater Screenwriter Want
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful
People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
AKIRA KUROSAWA

Air Better Depend Destroy Forgotten Nature Part People Something Thinking
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
If you look at everything straight on, there is nothing to be afraid of.
AKIRA KUROSAWA

Afraid Everything Look Nothing Straight
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
AKIRA KUROSAWA

Assertion Country Course Immoral Life Sacrifice Self Sensible Take
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
AKIRA KUROSAWA

Cinema Combine Everything Filmmaking Life Made Reason Theatre Together Work

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