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Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.

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Create Direct Film Greedy Movie Moving never People Satisfy Thing Think

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
The characters in my films try to live honestly and make the most of the lives they’ve been given.
AKIRA KUROSAWA

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Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

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It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
AKIRA KUROSAWA

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The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

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Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
AKIRA KUROSAWA

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A film made in this spirit reveals the hearts of the crew.
AKIRA KUROSAWA

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Man is a genius when he is dreaming.
AKIRA KUROSAWA

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I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

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Of all my films, people wrote to me most about this one.
AKIRA KUROSAWA

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What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

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A truly good movie is enjoyable too. There’s nothing complicated about it.
AKIRA KUROSAWA

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He is still my favourite author, and he is the one – I still think – who writes most honestly about human existence.
AKIRA KUROSAWA

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By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

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For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

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During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

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