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When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.

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Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
AKIRA KUROSAWA

Ability Believe Develop Full Heroes Honethy People Real
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.
AKIRA KUROSAWA

Beginning Come Film Need Particular Something Thing Time
Man is a genius when he dreams. Dream what you are capable of. The harder you dream it, the sooner it will come true.
AKIRA KUROSAWA

Come Dream Genius Harder Man True
I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
AKIRA KUROSAWA

Alive Come End Make Own Plan Thing Will Writing
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

Believe Best Character Explanatory Fall Notice Particular Passage Script Something
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
AKIRA KUROSAWA

Cinema Combine Everything Filmmaking Life Made Reason Theatre Together Work
The films an audience really enjoys are the ones that were enjoyable in the making.
AKIRA KUROSAWA

Alive Audience Done Film Heart Idea Number Project
They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Certain Creator Itself Nothing Often Reveal Straightforward Themselves World
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work

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