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For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.

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Able Camera Cinematic Cross Expression Fire Microphone Truly Water

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

I have no idea who the characters are, later, their personalities take over anything I might want to do.
AKIRA KUROSAWA

Anything Character Go Idea might Over Personality Want Writing
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
I’ve been able to work for so long because I think next time, I’ll make something good.
AKIRA KUROSAWA

Able Good Long Next So Something Time Work
but ignorance is a kind of insanity in the human animal. People who delight in torturing defenseless children or tiny creatures are in reality insane.
AKIRA KUROSAWA

Animal Children Creature Defence Delight Human Ignorance Instant People Torturing
Human beings share the same common problems. A film can only be understood if it depicts these properly.
AKIRA KUROSAWA

Being Common Depict Film Directing Human Problem Properly Understood
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing
I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
AKIRA KUROSAWA

Believe Detach Gaze Meant Medieval Playwright Theory Warch
It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
AKIRA KUROSAWA

Action Character Dialogue Difficult Explain Moment Particular Possible Psychological State
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA

Bland Expression Innocent Madmen People Private Public Terrible Thing Totally Wear
It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
AKIRA KUROSAWA

Bear Blossom Direct Fruit Grow Make Nurture Script Tree Write
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Creator Itself More Nothing Work

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