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For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.

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Able Camera Cinematic Cross Expression Fire Microphone Truly Water

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
Man is a genius when he dreams. Dream what you are capable of. The harder you dream it, the sooner it will come true.
AKIRA KUROSAWA

Come Dream Genius Harder Man True
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.
AKIRA KUROSAWA

Beginning Come Film Need Particular Something Thing Time
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work
The role of the artist is to not look away.
AKIRA KUROSAWA

Artist Away Look Role
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
The films an audience really enjoys are the ones that were enjoyable in the making.
AKIRA KUROSAWA

Alive Audience Done Film Heart Idea Number Project
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
They don’t know it, but they’re losing nature. They don’t see that they’re going to perish. The most important things for human beings are clean air and clean water.
AKIRA KUROSAWA

Clean Going Human Important Lose Most Nature Parish Water

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