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For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.

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Able Camera Cinematic Cross Expression Fire Microphone Truly Water

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The role of the artist is to not look away.
AKIRA KUROSAWA

Artist Away Look Role
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
To be an artist means to search, to find and look at these realities. To be an artist means never to look away.
AKIRA KUROSAWA

Artist Away Find Look Mean never Reality Search
The truth is in the mystery.
AKIRA KUROSAWA

Humility Mystery Truth
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
The characters in my films try to live honestly and make the most of the lives they’ve been given.
AKIRA KUROSAWA

Been Believe Character Film Great Hero Honesty Live Real
I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.
AKIRA KUROSAWA

Hate Lose Person Show Simpy Try Weakness
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful
Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
AKIRA KUROSAWA

Although Being Honesty Incapable People Pretend Talking Themselves Total Truth

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