My parents are deeply pious Hindus.
AKHIL SHARMAWhile a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
More Akhil Sharma Quotes
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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Intern will resonate not only with doctors, but with anyone who has struggled with the grand question ‘What should I do with my life?’ In a voice of profound honesty and intelligence,
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The babies have old souls and the old souls have to shrink to become little babies.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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Why do people always think hurting others is all right, as long as they hurt themselves as well?
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When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
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I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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Even within my stories, people hold opposing views.
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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
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My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
AKHIL SHARMA