I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
AKHIL SHARMAThe babies have old souls and the old souls have to shrink to become little babies.
More Akhil Sharma Quotes
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Seven years into writing a novel, I started to lose my mind.
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The little babies are missing their families from their past lives.
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My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
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For me, a memoir is nonfiction and nonfiction has to be absolutely true.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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One’s life completely changes based on the rain. After the monsoon, because the dust settles, one can see further and so it feels like one’s eyesight has improved or that one is living in a different country where there is more light.
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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
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It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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The monsoon is such a dominant part of Indian life that it is hard to overstate its importance.
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Even within my stories, people hold opposing views.
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The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they’ll forget.
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As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
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When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
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If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is.
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My parents are deeply pious Hindus.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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As a teacher, I can help my students see what is working and not working. I can show them certain solutions.
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To me exposition always contains tenderness.
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It’s easy when you grow up in fear to act out of fear. I don’t want to embrace that fear; I prefer to be kind.
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Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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Sandeep Jauhar gives us an insider’s look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
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I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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The babies have old souls and the old souls have to shrink to become little babies.
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