Sandeep Jauhar gives us an insider’s look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
AKHIL SHARMAI can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
More Akhil Sharma Quotes
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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For me, a memoir is nonfiction and nonfiction has to be absolutely true.
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One’s life completely changes based on the rain. After the monsoon, because the dust settles, one can see further and so it feels like one’s eyesight has improved or that one is living in a different country where there is more light.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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As a teacher, I can help my students see what is working and not working. I can show them certain solutions.
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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
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Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
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As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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It is hard to write about physically difficult things without causing the reader to disengage.
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People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
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I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
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The little babies are missing their families from their past lives.
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When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
AKHIL SHARMA






