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It is hard to write about physically difficult things without causing the reader to disengage.

Akhil Sharma

As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
AKHIL SHARMA

Being Expectation Human Life Living More Open Rain relief
I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
AKHIL SHARMA

Alike Much People Pretty Thinking Unique
Even within my stories, people hold opposing views.
AKHIL SHARMA

Hold Oppose People Story View
Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
AKHIL SHARMA

Character Info Money Moving Part Real Restaurant World
Intern will resonate not only with doctors, but with anyone who has struggled with the grand question ‘What should I do with my life?’ In a voice of profound honesty and intelligence,
AKHIL SHARMA

Doctor Grand Honesty Intelligence Intern Life Profound Question Resonate Struggled Voice
While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
AKHIL SHARMA

Dramatixed Emotional Experience Guarantee Proving Reader Scene Sophisticated Universal Way
Seven years into writing a novel, I started to lose my mind.
AKHIL SHARMA

Lose Mind Novel Seven Started Writing Year
Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
AKHIL SHARMA

Certainly Detail Else Productive Someone Spending Tend Thinking Unique
There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
AKHIL SHARMA

Aspect Emotional Feeling Fiction How Inadequacy Money Security Unreal
Novels should be judged rigorously. Either a book works or it doesn’t. The fact that something is true in the real world should not lend authority to it in fiction.
AKHIL SHARMA

Authority Book Fact Fiction Novel Real Something True World Writing
I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
AKHIL SHARMA

Attribute Based Character Composite Dialogue Memories Note Simply Spoken Taken Word
We all become afraid. We all look at others and think these other people are more fortunate than us.
AKHIL SHARMA

Afraid Become Fortunate Other People Think
When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
AKHIL SHARMA

Better Done Good Person Sometimes Success Wonder Work
For me, a memoir is nonfiction and nonfiction has to be absolutely true.
AKHIL SHARMA

Absolute True
Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
AKHIL SHARMA

Book Exposition Expression Feel Reader Suggest Tender Trust
It’s easy when you grow up in fear to act out of fear. I don’t want to embrace that fear; I prefer to be kind.
AKHIL SHARMA

Act Be Kind Fear Grow Up Out Want

It is hard to write about physically difficult things without causing the reader to disengage.

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It is hard to write about physically difficult things without causing the reader to disengage.

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