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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.

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Character Come Figure Humor Innocence Opportunity Trying

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To me exposition always contains tenderness.
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We all become afraid. We all look at others and think these other people are more fortunate than us.
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I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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Intern will resonate not only with doctors, but with anyone who has struggled with the grand question ‘What should I do with my life?’ In a voice of profound honesty and intelligence,
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Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
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I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
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Why do people always think hurting others is all right, as long as they hurt themselves as well?
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My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
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The little babies are missing their families from their past lives.
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Even within my stories, people hold opposing views.
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I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is.
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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
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