I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
AKHIL SHARMATo me exposition always contains tenderness.
More Akhil Sharma Quotes
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People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
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One’s life completely changes based on the rain. After the monsoon, because the dust settles, one can see further and so it feels like one’s eyesight has improved or that one is living in a different country where there is more light.
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My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is.
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
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The monsoon is such a dominant part of Indian life that it is hard to overstate its importance.
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Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
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Even within my stories, people hold opposing views.
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The babies have old souls and the old souls have to shrink to become little babies.
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Why do people always think hurting others is all right, as long as they hurt themselves as well?
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I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
AKHIL SHARMA