People don’t buy records anymore. I don’t know how people can support themselves.
AIMEE MANNNightly you retrace your steps again to return to the scene of the crime. It’s uncanny how you hover in the air of the wreckage that you left behind.
More Aimee Mann Quotes
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Because I grew up in the 60s girls were not allowed to do anything. As I’ve gotten older and realized that women can do things like that I thought, ‘Why not? Now’s the time.’
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I don’t believe in asking people to spend $15 on something they’ve never heard before. That’s just unreasonable.
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It’s easier to describe that shame, that horrible feeling of not being able to control your own life.
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What’s interesting to me is drama and conflict. Things aren’t interesting without conflict and resolution of conflict – or striving towards a resolutions of conflict.
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They want to sign distribution deals with labels, who have lots of product, lots of artists.
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I don’t consider myself a great writer, but I would like to think that I can at least proof- read.
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It’s more important for me to have a good record with good music and be part of a movie that’s good and where the music is used in a really great way. That’s the important thing. The other stuff you want to say about it, I don’t care.
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I probably would’ve kept slogging on that same chord change, because there’s a tendency to have that happen.
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It’s in the dictionary. And when I find what it is, I’ll write it down in case it comes up again, I’ll be certain to avoid it.
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Something gets lost when you translate. It’s hard to keep straight. Perspective is every thing.
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At a major label you can start to feel that you’re working for them, and that any work you do, you’re never going to see any benefit.
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Life is a series of problems to figure out how to solve gracefully and with dignity. That is what life is and I can’t see it any other way.
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Anybody who cares less about wanting to be cool, I think, is more interesting.
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I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I’m really working on him about that.
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For me, there’s a fine line between telling a story that’s fictional with lots of details and then removing yourself too much from it, so it’s bloodless, a little too fictional.
AIMEE MANN