It’s more important for me to have a good record with good music and be part of a movie that’s good and where the music is used in a really great way. That’s the important thing. The other stuff you want to say about it, I don’t care.
The moth don’t care when he sees the flame He might get burned, but he’s in the game And once he’s in, he can’t go back He’ll beat his wings till he burns them black.
Everyone’s just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it’s a huge antidote to that to have a concept album.
For me, there’s a fine line between telling a story that’s fictional with lots of details and then removing yourself too much from it, so it’s bloodless, a little too fictional.
