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You get into the cadence in your mind, and it’s hard to make the kind of left turn that you probably need to keep it really interesting.

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I certainly understand that we’re all trying to make a living, but I’m not thinking about that when I’m making it.
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When things are really great, it just means everything’s in it’s place.
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I did it when I was young, and some of the music was OK, but it wasn’t great.
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I thought everything was interesting. I wanted to go scuba diving and I wanted to learn how to surf.
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Because I grew up in the 60s girls were not allowed to do anything. As I’ve gotten older and realized that women can do things like that I thought, ‘Why not? Now’s the time.’
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If your standards are low, you’re going to stop pretty early on in the process.
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Something gets lost when you translate. It’s hard to keep straight. Perspective is every thing.
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What’s interesting to me is drama and conflict. Things aren’t interesting without conflict and resolution of conflict – or striving towards a resolutions of conflict.
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It’s easier to describe that shame, that horrible feeling of not being able to control your own life.
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I wanted to try to write songs on the piano to get a different flavor.
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The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.
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Anybody who cares less about wanting to be cool, I think, is more interesting.
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But I can’t confront the doubts I have. I can’t admit that maybe the past was bad, and so, for the sake of momentum I’m condemning the future to death so it can match the past.
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For me, there’s a fine line between telling a story that’s fictional with lots of details and then removing yourself too much from it, so it’s bloodless, a little too fictional.
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I probably would’ve kept slogging on that same chord change, because there’s a tendency to have that happen.
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When I grew up in the ’70s I thought you had to take drugs. It was almost like I didn’t think you had a choice.
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