If a nation cannot face its past, it has no future.
AI WEIWEIWe literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.
More Ai Weiwei Quotes
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I came back [to Beijing ] because that’s the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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Life is art. Art is life. I never separate it. I don’t feel that much anger. I equally have a lot of joy.
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If human rights are supposed to have any meaning, then they have to be discussed openly.
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At the moment about 350,000 students return to China from abroad each year – 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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I think I’m just a traveler. When you walk across a river and there’s no bridge, you build one. I’m used to having to deal with Chinese Communist ideology.
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I never think any place is better than others.
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Civilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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You don’t have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
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Whenever there is injustice, there is tension. But in China it is very hard to release your anger unless you burn yourself or you jump from a bridge. In a society where there is no freedom of the press, it is difficult for victims to be noticed.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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