We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
AI WEIWEIIt’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
More Ai Weiwei Quotes
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Even if there have been setbacks during these past years, China is changing. China’s society is opening.
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The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It’s as simple as that.
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Democracy, material wealth, and universal education are the soil upon which modernism exists.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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Everyone of us is a potential convict.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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The so-called culture nowadays is only a fake one with a superficial front. It is an empty lie.
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Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster.
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You have so many museums in the West, and so many shows, you need somebody to show the work, otherwise it’s empty.
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I don’t believe in a sense of home.
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But personally, I don’t think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it’s beyond my own consciousness.
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The intention to separate art from politics is itself a very political intention.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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I grew up in a desert, which has no kind of imagination.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
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