I don’t personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
AI WEIWEII never had secure, belonging feelings with this society [in China].
More Ai Weiwei Quotes
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Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics.
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The tragic reality of today is reflected in the true plight of our spiritual existence. We are spineless and cannot stand straight.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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It’s not really an ideology, but a method of control. But China’s problems are not just China’s problems – they’re human problems. Humanity has always worked better when you see it as one.
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[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.
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Hopefully, other successes aren’t like me. It carries much more meaning to other people; my success story is irrelevant. It doesn’t make any sense.
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I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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To give a price to an artwork, no matter how high or low, is always absurd. It’s not something that can be measured by money or by certain numbers.
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The jobs for 7 million university graduates every year, the immense corruption: Even some Western governments would have to scramble to find solutions to such problems.
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China hasn’t only existed for one day. Now, the whole nation has become richer and it’s become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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What counts in the end is what the government does.
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A state like China looks so powerful, but they are so scared of the Internet, so the Internet is more powerful than them.
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In the end, I think, the state’s rigidity is a function of its own insecurity, its indecisiveness.
AI WEIWEI