Maybe [success] is because I’m in China and I’m more open. Maybe it’s my independent behavior, or because I participated in certain projects. I have no idea.
AI WEIWEIThere’s no such thing as “fixed” culture. China is also becoming more global. Its problems are becoming international problems, becoming German problems, becoming American problems.
More Ai Weiwei Quotes
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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A small act is worth a million thoughts.
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The deadly weapon against totalitarian society is openness – doing everything very openly on the Internet, letting people know every detail, any little development. Once it is out there, everybody can make their own judgement.
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You can never know what is and what is not powerful, but you can always find out what the powerful people are scared of.
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I don’t care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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I think I’m just a traveler. When you walk across a river and there’s no bridge, you build one. I’m used to having to deal with Chinese Communist ideology.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would’ve lost the ground to win.
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[Being unique] gives so much privilege to people who can make it, rather than having some moral and aesthetic discussions.
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You only have temporary curiosity, amusement, and challenges, but that does not necessarily mean you are really convinced that it’s necessary or that it’s not even worth to do it.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions.
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Even though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
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It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
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If you don’t act, the danger becomes stronger.
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