I will bring 1,001 Chinese to participate as my artwork there – any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog.
AI WEIWEIIn the end, I think, the state’s rigidity is a function of its own insecurity, its indecisiveness.
More Ai Weiwei Quotes
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The society was so different [in China] – it was a feudalistic society. It didn’t come to a point of industrial revolution until twenty years ago.
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The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.
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I have to respect my life, and free expression is part of my life. I can never really silence myself.
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I think my stance and my way of life is my most important art.
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If artists cannot speak up for human dignity or rights, then who else will do it?
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I think of art as coming from daily life, daily experience. I think it’s very important not to have it become work for some kind of elite circle.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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The project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It’s always like setting up some kind of game you can continuously play.
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Society becomes very destructive.
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The Internet changes the structure of society all the time — this massiveness made of individuals.
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A state like China looks so powerful, but they are so scared of the Internet, so the Internet is more powerful than them.
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The art always wins. Anything can happen to me, but the art will stay.
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Destroy or build. Crazy or noncrazy. I’m not nostalgic about the old city. I don’t enjoy it that much.
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I hope that my work expresses my worldview and encourages people to exchange ideas.
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People have been longing for this moment, because it symbolises a turning point in China’s relationship with the outside world.
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This so-called fame or being better off doesn’t really attract me at all.
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It is not an easy job to govern China, I am aware of that.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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Life is never guaranteed to be safe, so we better use it while we are still in good condition.
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Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
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It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
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Now you have the equal opportunity to equip yourself through information and knowledge and express yourself as an independent mind.
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The whole Chinese system – not just the political leadership, the military too, the whole power structure, our education system, the whole of society – is suffering from being cut off from the free flow of information.
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We are living in a popular culture where everything is overexposed.
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