The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
AI WEIWEIIt became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
More Ai Weiwei Quotes
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I don’t think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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For years, I refused to go to any openings, not even my own.
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As a human being, member of society, you must clearly state your mind. It’s a responsibility. It is the way you identify yourself otherwise you don’t know who you are and why you are here.
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As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.
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In my case, I was stuck there for quite a while. New York is large enough to be a very abstract city, so nobody cares.
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I never really read Allen Ginsberg poetry, even though I have a book he gave me.
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I don’t personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
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A lot of the time [in the U.S.], I was thinking about how spending time is always questionable or is always the biggest obstacle in my life.
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You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
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You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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A society is healthy only when it allows its members to discuss their thoughts openly. This is also the only way that a society can gather consensus, let everyone express his or her wish, and foster creativity.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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