I don’t think I was very structured in that society and I don’t really believe in personal success, which most Americans believe in.
AI WEIWEICivilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful.
More Ai Weiwei Quotes
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Of course, most luxury goods in China are for corrupted officials and their relatives. And that made China become the biggest luxury-goods market.
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The purpose of art is the fight for freedom.
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We are not on – even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
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Democracy, material wealth, and universal education are the soil upon which modernism exists.
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For me, it is OK as long as I can breathe, as long as my heart is pumping, as long as I can express myself.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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This week, the world gathers in Beijing for the 2008 Olympic games. This is the extraordinary moment China has been dreaming of for 100 years.
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I don’t think [price] reflects if the work is good or bad.A good artist shouldn’t be nervous about that.
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Creativity is the power to reject the past, to change the status quo, and to seek new potential. Simply put, aside from using one’s imagination – perhaps more importantly – creativity is the power to act.
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I think Allen [Ginsberg] was a person who’s like a child.
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Man has a tendency to try to give clear reasons to be rational, but often you can see how all those reasons are not convincing and turn out to be a big nonsense.
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I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
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I never regret anything.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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And the kind of condition he had when he was in this society – the kind of mistreatment society gave him.
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