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You know, even though I’m in fashion, I don’t, like, do fashion. Fashion isn’t me, even though I work in it. It’s just materialistic stuff.

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I think it was four years ago when my feelings were changing towards the industry.
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Being such a tomboy growing up, that was one thing that changed me as a person, as well. It broadened me, like me cracking myself open in a certain way.
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I didn’t hate it, but I was yearning to do something different. I was on a gradient. It was a gradual thing.
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I can’t just settle for anybody. The fact is I’m choosy, but mainly about a man’s character. He has to be interesting, funny and clever. I don’t even mind if he’s not very good-looking.
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I can’t do modeling disconnected. And I thought, “What do I like? What do I love about modeling?”
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I dont have that many friends.
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Modelling is only about the look. In acting, it’s the feel that matters.
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I get on with all my exes, so there’s nothing I need to forget about. I don’t know – life is shorter than it seems.
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To be supportive of myself, I have to go with what I want to do. I started acting and I was so mesmerized.
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Not just in modeling, but in society, there’s so much pressure about what a woman should be, and, of course, it’s just so unobtainable.
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You watch her, and you can’t help but notice all of that about her. She’s so influential.
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I’d done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: “Wow!” They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: “I definitely want to do this!”
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I felt like it was really about people and how decisions and circumstances can change relationships.
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I feel what is really great about Pusher is that it wasn’t about drugs and guns and strippers. That was just all circumstantial.
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