“Well, I suppose I’ve never really had a lifestyle that needs upkeep. I don’t get cabs; I’m on the Tube with my Oyster card.”

For modelling, you have to be such a strong person in a way – or seen to be a strong person, do you know what I mean? But in acting you have to get in touch with all the vulnerability that you carry.

You know, even though I’m in fashion, I don’t, like, do fashion. Fashion isn’t me, even though I work in it. It’s just materialistic stuff.

You can never become that thing, because it’s such a projection.

I’ve never had formal drama-school training; I’ve just picked things up as I’ve gone along.

And what I love is that it’s such a creative process, with a bunch of people, and I wanted that more, which is how the acting thing came about.

If you have a connection to someone, it doesn’t matter what their exterior is.

I’d done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: “Wow!” They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: “I definitely want to do this!”

Please don’t fall over, please don’t fall over, please don’t fall over!’

For modeling, I was always creating characters. I dress like a tomboy. So, when I’d go into a shoot, there’d be all these dresses, and I’d say to myself, ‘Okay, this isn’t me. It’s somebody else. So, who is this person?’ Acting is the next level of that.

Something just happens. Everything changes for a reason.

I’m all alone. There has been no man in my life for several months now and although it would be nice to have a boyfriend.

I suppose I have stopped modeling officially. I’ve not done any for a good long while now.

I dont have that many friends.

A lot of stuff written about me is rubbish. I don’t know where they get it from, sometimes.

I suppose each project is a new thing, so there’s all this excitement and nerves about this new thing.

I don’t really see myself as a big supermodel.