Many filmmakers have made resurgent work, and I was just a little ahead of the time.
AGNES VARDAWe got along very well without trying to make me look like I’m what I’m not.
More Agnes Varda Quotes
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA