I had flops, I had success.
AGNES VARDAI’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
More Agnes Varda Quotes
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I’m not nostalgic. My memories are back here in my mind.
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We got along very well without trying to make me look like I’m what I’m not.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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