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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.

Agnes Varda

The story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDA

Always Couple Cuple Especially Fragile More Over Strong Thirty Year
People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
AGNES VARDA

Believe Children Feel Old Orphan People Person Thinking
It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
AGNES VARDA

Energy Nice Ourselves Sleep Sleeping Sometimes Somewhere Thinking
This is all you need in life: a computer, a camera, and a cat.
AGNES VARDA

All Camera Cat Computer Need
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
AGNES VARDA

Alive Cinema Fighting Hope Struggle
The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA

Mirror Portrait See Self You Yourself
I think I got people confidence because I was not looking at them like insects that I would film.
AGNES VARDA

Confidence Film Insect Looking Movie People Thinking
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
AGNES VARDA

Cinema Family Happen Living Long Process Travel Way
In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
AGNES VARDA

Always Film Giving Movie People Show Thing
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
AGNES VARDA

Answer Humor Joke Laughing Strong Themselves Weapon Women
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA

Beautiful Casino Dealer Film Gambling Made Naked People Player Portrait Scene Surrealistic
When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
AGNES VARDA

Contemporary Country Done Last Literature Painting People Saw Strongly Theatre Virginia Year

I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.

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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.

Related Topics

Popular Authors

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