I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDAIt’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.
More Agnes Varda Quotes
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The story of a couple is always very fragile, especially over more than thirty years.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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I had a world. I don’t think I had a career. I made films.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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I had flops, I had success.
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I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
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The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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