The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDAIt’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.
More Agnes Varda Quotes
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
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I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
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Hands are the tool of the painter, the artist.
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I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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