The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
AGNES VARDAI need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
More Agnes Varda Quotes
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I had a world. I don’t think I had a career. I made films.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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I think we need to have a nest of something which is family.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I think I got people confidence because I was not looking at them like insects that I would film.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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