I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDAI need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
More Agnes Varda Quotes
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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This is all you need in life: a computer, a camera, and a cat.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
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My grandson says I’m punk.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
AGNES VARDA