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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.

Agnes Varda

Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
AGNES VARDA

Abandoned Body Early Film Getting Gleaning Photo Picture
I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
AGNES VARDA

Arrive Belief Blue Bolt Inspiration Inspirational
It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDA

Boring Contradiction Country Lovely Myself Sound Subject Took
I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
AGNES VARDA

Discover Incredible Interesting Ordinary People Real Stories Themselves Treasure Way
Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
AGNES VARDA

Bad Better Film God Good One Yesterday
The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA

Mirror Portrait See Self You Yourself
I think we need to have a nest of something which is family.
AGNES VARDA

Family Need Nest Something Think Thinking
We got along very well without trying to make me look like I’m what I’m not.
AGNES VARDA

Among Like Look Trying Well Without
If we opened people up, we’d find landscapes.
AGNES VARDA

Find Landscape Opened People
I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
AGNES VARDA

Cheat Color Hair Hated Myself Totally White
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
AGNES VARDA

Always Couple Especially Fragile Happen More Story Thirty Year
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
AGNES VARDA

Autodidact Aware Learn Some Sure Way Wish
You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA

Carpenter Direct Director Film Muscle Need Strong
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful

When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.

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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.

Related Topics

Popular Authors

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