I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
AGNES VARDAWhen I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
More Agnes Varda Quotes
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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I don’t watch my own films. There is little time; I’d rather see another film.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
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Good cinema is good cinema. It makes you feel like you need to work.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
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We need to find another way or another shape or an allegory or something that tells us more.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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