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To make up a dance, I still need, as I needed then, a pot of tea, walking space, privacy and an idea.

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Dance Idea Needed Pot Privacy Space Tea Walking

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

This is the precise difference between dancing and acrobatics. The dancer tries to express something; the acrobat merely pulls, raises, stretches and grinds.
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The creative urge is the demon that will not accept anything second rate.
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Destiny is made known silently.
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There is something fearfully strengthening about cutting free even if the ties bandage the heart itself.
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If you want to understand a nation, look at its dances and listen to its folk songs – don’t pay any attention to its politicians.
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I think ought to have more and correct some of the matters fate fails to take care of.
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Find the passion. It takes great passion and great energy to do anything creative. I would go so far as to say you can’t do it without that passion.
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Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything.
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Friends die one by one, but so, thank God, do enemies.
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Who am I?, the artist asks. And he devotes his whole life to finding out.
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Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.
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When I dance I am really meditating rather then performing for an audience.
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Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little.
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The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind.
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The truest expression of a people is in its dances and its music. Bodies never lie.
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great artists can be uncertain. Of course they are while strugggling to find solutions.
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