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I began to feel heard in that movement. But it was because my voice was resonating with other voices.

Adrienne Rich

There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
ADRIENNE RICH

Country Incomprehension Institution Male Political Power Real Speaking
But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
ADRIENNE RICH

Envying Imagination Imagine Place Possibilities Struggle Survival Unresigned
I don’t trust them but I’m learning to use them.
ADRIENNE RICH

Don't Learning Trust Use
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH

Century Coming Country Culture Different Discerned Poetic Role Social Together Voice
Women’s Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.
ADRIENNE RICH

Challenge Compensatory Freedom Intellectual Nonexclusionary Political Simply Structure Studies Women
Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
ADRIENNE RICH

Accuracy Arpeggioor Breaking Chance Daring Down Faulting Fugue Leap Practising Sentence Strnghland Transcendence
I am a woman in the prime of my life, with certain powers and those powers severely limited by authorities whose faces I rarely see.
ADRIENNE RICH

Authorities Authority Certain Face Life Power Prime Rarely Woman
As her sons have seen her: the mother in patriarchy: controlling, erotic, castrating, heart-suffering, guilt-ridden, and guilt-provoking; a marble brow.
ADRIENNE RICH

Catering Controlling Erotic Guilt Heart Marble Mother Patriarchy Provoking Riddem Son
Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
ADRIENNE RICH

Abortion Deep Desperate First Herself Violence Woman
It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
ADRIENNE RICH

Commitment Deepest Integrity Iscrucial Issue Lesbian Ourselves Radical Sense Understand
If we had time and no money, living by our wits, what story would you tell?
ADRIENNE RICH

Living Money No Stories Tell Wit
Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.
ADRIENNE RICH

Emerged Feminist Historical Justice Lived Past Present Received Tended Thinking Work
I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICH

Along Creativity Darkness Entered Experience Given Happiness Life Poetry Repeatedly Use
I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
ADRIENNE RICH

Art Craft Each Everyone Mean Poetry Something World Writing
An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
ADRIENNE RICH

Delicate Honorable Human Love People Process Relationship Self Truth Two Violent
The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
ADRIENNE RICH

Cub Dead Herding Long Nineteen Omen Survive Twilight Vixen

I began to feel heard in that movement. But it was because my voice was resonating with other voices.

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I began to feel heard in that movement. But it was because my voice was resonating with other voices.

Related Topics

Popular Authors

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