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No one sleeps in this room without the dream of a common language.

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Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.
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Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
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Nothing could have prepared me for the realization that I was a mother … when I knew I was still in a state of uncreation myself.
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Lesbian existence comprises both the breaking of a taboo and the rejection of a compulsory way of life. It is also a direct or indirect attack on the male right of access to women.
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Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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All new learning looks at first like chaos.
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It is part of our refusal of the self-destructiveness of male-dominated society.
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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder
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I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
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The moment of change is the only poem.
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
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Experience is always larger than language.
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Until we know the assumptions in which we are drenched, we cannot know ourselves.
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