We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
ADRIENNE RICHSo endlessly, still expecting to be believed. We are accustomed to the contempt inherent in the political lie.
More Adrienne Rich Quotes
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White hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
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It is important to do this because we can count on so few people to go that hard way with us.
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The most notable fact that our culture imprints on women is a sense of our limits.
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What would it mean to live in a city whose people were changing each other’s despair into hope?– You yourself must change it.
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That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.
ADRIENNE RICH -
In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
ADRIENNE RICH -
Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
ADRIENNE RICH -
Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other.
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
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No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.
ADRIENNE RICH -
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
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We who were loved will never unlive that crippling fever.
ADRIENNE RICH