The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
ADRIENNE RICHIncreasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
More Adrienne Rich Quotes
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The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics.
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To do something very common, in my own way.
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That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
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The so-called multiple-choice examination sheet with the number 2 pencil to mark one choice and one choice only?
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“Global culture” is of course not a culture: it’s the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.
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It is important to possess a short-term pessimism and a long-term optimism.
ADRIENNE RICH -
To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.
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Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.
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In [family snapshots] the flow of profane time has been stopped and a sacred interval of self-conscious revelation has been cut from it by the edge of the picture frame and the light of the sun or the flash.
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I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
ADRIENNE RICH